'...Natasha Day used her impressive soprano voice most effectively in Mendelssohn's 'Hear My Prayer' and made a very sensitive contribution to the solo sections of 'The Infant King'. This was a voice that could easily project over the choir and orchestra whilst ensuring that pianissimo sections were aided by excellent diction and delicate phrasing'. V. Nicholas, Mid-Sussex Times, 13th December 2009.

'...the soloists tackled the problems with outdoor singing with aplomb, looking as good as they sounded... Natasha Day's Galatea was a glamorous male-fantasy of nymph-hood, wafting exotically across the Woodhouse lawns like a TV commercial for something expensive and sexy'. Michael White, The Telegraph, 20th September 2009.

'...she brought a hauntingly beautiful quality to the music'. P. Jefferson, Warminster Journal, 21st May 2009.

'A beautiful voice...A lovely young singer, committed and already with a performing presence'. Beatrice Unsworth, Thelma King Competition, 23rd March 2009.

'...an exceedingly individual and strong performing persona'. Ameral Gunson, Thelma King Competition, 23rd March 2009.

'...outstanding, not only singing [her] solos brilliantly, but also matching beautifully in the duets, trios and quartets'. Graham Caldbeck, conductor, Mayfield Festival, 23rd November 2008.

'Her clear and bright lyric soprano impressed me and should take her far in her chosen profession'. R. W. Hendra, Emmy Destinn Competition, 9th November 2008

'...her talent shone. She has an exquisite purity of tone and an abundance of colour in the lower registers, and is definitely a singer to watch'. Susan Nickalls, The Scotsman, 6th June 2006