Scottish-Polish soprano Natasha Day previously trained at The English National Opera on the 2012/13 ‘Opera Works’ course. In 2015 she completed her final year at the Royal College of Music's International Opera School where she was a Fishmongers’ Company Scholar supported by an Ian Lombe Evans Award.
Roles include Poppea Agrippina (English Touring Opera), Gilda Rigoletto (Devon Opera), Mimi La Boheme (Haddo House Opera, Devon Opera, Arcadian Opera), Miss Wordsworth Albert Herring, Lisetta La Gazzetta and Le Feu/Le Rossignol L'Enfant et les Sortileges (RCM), Erste Dame Die Zauberflöte (RCM, Nevill Holt Opera), Micaela Carmen (Winslow Hall Opera, Edinburgh Grand Opera), Jessie Mahagonny Songspiel (UNAM) in Mexico City, Fiordiligi Cosi Fan Tutte (The Rye Festival), Musetta La Boheme (Celebrate Voice Festival, Park Opera) and the title role in Handel's Acis and Galatea (Westminster Opera, Woodhouse Opera). Concert engagements include Brahms’ Requiem, Berlioz's La Mort de Cleopatre, Strauss' Four Last Songs, Beethoven's Symphony No. 9, Mahler's Symphony No. 4, Mozart's Mass in C Minor, Requiem, Coronation Mass, Exsultate Jubilate and various recitals throughout the UK.
Natasha won First Prize at the Złote Głosy Competition in Warsaw, Second Prize at The Filharmonia Czestochowska Competition also in Poland and The Most Promising Singer Award at the Emmy Destinn Competition in Prague. She was a Finalist in the 2016 Concorso Lirico di Ferrara, Italy and is proud to be a Concordia Artist. Natasha became a 2017 Britten-Pears Young Artist, working on Strauss lieder and arias with Angelika Kirchschlager and Malcolm Martineau.
Roles include Poppea Agrippina (English Touring Opera), Gilda Rigoletto (Devon Opera), Mimi La Boheme (Haddo House Opera, Devon Opera, Arcadian Opera), Miss Wordsworth Albert Herring, Lisetta La Gazzetta and Le Feu/Le Rossignol L'Enfant et les Sortileges (RCM), Erste Dame Die Zauberflöte (RCM, Nevill Holt Opera), Micaela Carmen (Winslow Hall Opera, Edinburgh Grand Opera), Jessie Mahagonny Songspiel (UNAM) in Mexico City, Fiordiligi Cosi Fan Tutte (The Rye Festival), Musetta La Boheme (Celebrate Voice Festival, Park Opera) and the title role in Handel's Acis and Galatea (Westminster Opera, Woodhouse Opera). Concert engagements include Brahms’ Requiem, Berlioz's La Mort de Cleopatre, Strauss' Four Last Songs, Beethoven's Symphony No. 9, Mahler's Symphony No. 4, Mozart's Mass in C Minor, Requiem, Coronation Mass, Exsultate Jubilate and various recitals throughout the UK.
Natasha won First Prize at the Złote Głosy Competition in Warsaw, Second Prize at The Filharmonia Czestochowska Competition also in Poland and The Most Promising Singer Award at the Emmy Destinn Competition in Prague. She was a Finalist in the 2016 Concorso Lirico di Ferrara, Italy and is proud to be a Concordia Artist. Natasha became a 2017 Britten-Pears Young Artist, working on Strauss lieder and arias with Angelika Kirchschlager and Malcolm Martineau.
